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	<title>SOME/THINGS MAGAZINE</title>
	<link>http://www.someslashthings.com/magazine</link>
	<description>SOME/THINGS MAGAZINE</description>
	<lastBuildDate>Sun, 04 Jul 2010 07:14:57 +0000</lastBuildDate>
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	<item>
		<title>164 JENNY HOLZER / MEN DON’T PROTECT YOU ANYMORE</title>
		<description><![CDATA[



THE ENTIRE ARTICLE ON JENNY HOLZER&#8217;S WORK ONLY IN THE PRINTED EDITION OF SOME/THINGS MAGAZINE ISSUE002 / THE BLACK BOOK
]]></description>
		<link>http://www.someslashthings.com/magazine/jennyholzer/</link>
			</item>
	<item>
		<title>272 ROBERT MONTGOMERY / THE CIRCLE OF DEAD GRASS WHERE THE CIRCUS USED TO BE</title>
		<description><![CDATA[


ON THE ROAD AGAIN ITS TIME CATCH A MOVING PICTURE, MOTEL TV PORN AND MINIBAR AND POCKET SCRIPTURES, SIGNS OF THE TIMES LESSONS THROUGH THIS WINDOW OF MINE. GIVE ME A NOTEBOOK AND I’LL WRITE YOU AROUND THE DREAMS YOU GAVE ME. GIVE ME A MOMENT AND I’LL HOLD ON TO THE WORDS THEMSELVES, ALL [...]]]></description>
		<link>http://www.someslashthings.com/magazine/robertmontgomeryseanflynn/</link>
			</item>
	<item>
		<title>276 SONGZIO / FLAKA JAHAJ / MI GUAN JANG</title>
		<description><![CDATA[






THE ENTIRE 14 PAGES EDITORIAL PHOTOGRAPHED &#038; STYLED BY MONIKA BIELSKYTE IN SONGZIO SEOUL ARCHIVES ONLY IN THE PRINTED EDITION OF SOME/THINGS MAGAZINE ISSUE002 / THE BLACK BOOK
]]></description>
		<link>http://www.someslashthings.com/magazine/songzio/</link>
			</item>
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		<title>224 JUN MIYAKE / STOLEN FROM STRANGERS</title>
		<description><![CDATA[


/../ 

MONIKA BIELSKYTE / COULD YOU TELL ME HOW MUSIC ENTERED YOUR LIFE?

JUN MIYAKE / MY FAMILY ENVIRONMENT WAS ALWAYS EXTREME: MY MOTHER WAS A BIG MUSIC FAN. HER LULLABY WAS MY FIRST MUSICAL EXPERIENCE. MY FATHER HATED SOUNDS IN GENERAL, INCLUDING MUSIC— NO SOUNDS OR CONVERSATIONS WERE ALLOWED AT OUR DINNER TABLE. HE WAS [...]]]></description>
		<link>http://www.someslashthings.com/magazine/junmiyake/</link>
			</item>
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		<title>黄永砯  HUANG YONG PING / 2001 &#8211; 2005 THE BAT PROJECT 蝙蝠计划</title>
		<description><![CDATA[


/../ 

RLF / SO MANY OF THE TITLES OF YOUR WORKS ARE POETIC WHILE ALSO POSSESSING A PHILOSOPHICAL TONE—HOUSE OF ORACLES,  BANK OF SAND, SAND OF BANK,  CRANE’S LEGS, DEER’S TRACKS,  THE WISE MAN LEARNS FROM THE SPIDER HOW TO SPIN A WEB. IN SOME WAYS, THEY PROVIDE A NAVIGATIONAL KEY FOR [...]]]></description>
		<link>http://www.someslashthings.com/magazine/huangyongping/</link>
			</item>
	<item>
		<title>WAYNE LIU / PAST IS A FOREIGN COUNTRY</title>
		<description><![CDATA[


/../ 

I CAN’T FULLY DIGEST THE DETAILS OF THE WORLD, BREATHING ITS SMOKE &#038; SMOG, &#038; ALL THE PETTY WHISPERS &#038; PRETTY LIES CIRCULATING IN MY LUNGS ENGULF WHAT’S LEFT OF ME, &#038; IN NO ACT SHALL THE GNAWING SPACE BETWEEN US BE RELIEVED. THE NEGATIVE IMAGES PROJECTED IN THE DARK ROOM ARE MY SILENT [...]]]></description>
		<link>http://www.someslashthings.com/magazine/wayneliu/</link>
			</item>
	<item>
		<title>15 YEARS OF PINA BAUSCH&#8217;S TANZTHEATER WUPPERTAL BY MAARTEN VANDEN ABEELE</title>
		<description><![CDATA[


/../ 

MONIKA BIELSKYTE / WHAT ARE THE PIECES — NOT ONLY AMONG PINA’S REPERTOIRE — IN THEATER/CHOREOGRAPHY THAT HAVE MOVED YOU MOST DEEPLY? 

MVA / MY FAVORITE PIECES FROM PINA ARE PALERMO PALERMO, 1980, SACRE/ DAS FRÜHLINGSOPFER, CAFÉ MÜLLER, TWO CIGARETTES IN THE DARK, TRAUERSPIEL, VIKTOR &#038; DAS STÜCK MIT DEM SHIFF. ABOVE ALL I [...]]]></description>
		<link>http://www.someslashthings.com/magazine/pinabauschmaartenabeele/</link>
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		<title>SOPHIE RISTELHUEBER / &amp; HAD TO GO THERE &amp; FINALLY I COULD..</title>
		<description><![CDATA[




I HAD TO GO THERE &#38;, FINALLY I COULD, BUT ONCE THERE I DIDN’T KNOW WHAT TO DO. OF COURSE THERE WERE MANY PICTURES THAT I COULD HAVE TAKEN OF THE HORRIBLE CONDITIONS, WHICH I DID NOT. I COULD NOT. WHAT I FOUND WAS A DEVASTATED COUNTRY &#38; JUST AS I WAS SO ATTRACTED &#38; [...]]]></description>
		<link>http://www.someslashthings.com/magazine/sophieristelhueber/</link>
			</item>
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		<title>ARI MARCOPOULOS / THE ONLY THING I CAN THINK ABOUT IS THIS MORNING</title>
		<description><![CDATA[


FINGERS MOVING FAST ON HANDHELD DEVICES. FACEBOOK ACCOUNTS, IMAGE BANKS, DIGITAL NOISE; FARAWAY SERVERS STORING COLLECTIVE PIXELS.
THE SMELL OF TONER FILLS MY NOSTRILS.  EVERY BOOK I OPEN GETS A WHIFF, ‘BEAUTIFULLY PRINTED’ WILL BE OFFERED BUT I STICK MY NOSE INSIDE THE PAGES AND SUCK IN. NO LONGER DO I SEARCH FOR THE IMAGES, [...]]]></description>
		<link>http://www.someslashthings.com/magazine/arimarcopoulos/</link>
			</item>
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		<title>CAI GUO QIANG / RESTRAINED VIOLENCE</title>
		<description><![CDATA[




THE ENTIRE 12 PAGES ARTICLE WITH AN EXCLUSIVE CAI GUO QIANG INTERVIEW TO RAINA LAMPKINS-FIELDER ONLY IN THE PRINTED EDITION OF SOME/THINGS MAGAZINE ISSUE002 / THE BLACK BOOK
]]></description>
		<link>http://www.someslashthings.com/magazine/caiguoqiang/</link>
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